Private View
6:30pm
September 14th, 2009
Opening
10.00am-5.00pm
September 15th - 27th, 2009
(click to enlarge)
Byam Shaw MA Fine Arts Show --- September 14, 2009
M A F i n e A r t s S h o w
Private View
6:30pm
September 14th, 2009
Opening
10.00am-5.00pm
September 15th - 27th, 2009
(click to enlarge)
Private View
6:30pm
September 14th, 2009
Opening
10.00am-5.00pm
September 15th - 27th, 2009
(click to enlarge)
Georgina Hathway
Georgina Hathway
georgehathway@hotmail.com
From Australia and England
Currently lives and works in London
georgehathway@hotmail.com
From Australia and England
Currently lives and works in London
Catrine Bodum
catrine.bodum@gmail.com
www.catrinebodum.com
Born in Luzern, Switzerland
Currently lives and works in London
Residue and traces. A place where past actions affect new actions and traces of something happened is left to lead the eye up to what happened after.
Oil on Muslin, 152 x 132 cm
www.catrinebodum.com
Born in Luzern, Switzerland
Currently lives and works in London
Residue and traces. A place where past actions affect new actions and traces of something happened is left to lead the eye up to what happened after.
Oil on Canvas, 112 x 93 cm
Oil on Muslin, 152 x 132 cm
China Ink, Acrylic and Oil on Muslin, 152cm x 132cm
Acrylic, Gel and Oil on Muslin, 112cm x 92cm
Maurice Citron
Maurice Citron
maurice.citron@btinternet.com
www.mauricecitron.co.uk
Live/Work in London
Birth Date: 12th May 1972
Nationality: Irish
Education
College Byam Shaw School of Fine Art, University of the Arts, London
Course MA Fine Art: 2008/2009
College Byam Shaw School of Fine Art, University of the Arts, London
Course PG Dip Fine Art: 2007/2008. First Class Distinction
College Chelsea College of Art and Design, University of the Arts, London
Course BA (Hons) Fine Art: 2002/2007
In the studio, I get completely lost in the moment. I forget time, I forget myself. At hand is a plethora of materials including steel, wood, styrofoam, expanding foam, rubber, stones as well as a collection of different found objects including bicycle tyres, car parts, various bits from vacuum cleaners, spin dryers, chairs, wooden banisters and a range of stretchy fabrics, including different coloured spandex, powernetting and sheet latex.
I bring these different materials together, and through various processes, they are transformed. I try to develop processes that are unpredictable and not entirely controllable so that the outcome is a surprise. In this respect, the reading of the work is in its making and I’m fascinated by the apparent ability of materials and objects to retain a temporal quality of process. To some extent, through the making process, the work discovers itself.
My current studio focus is developing processes that will generate structure. I have been enveloping objects and different materials in stretchy fabrics. Through the interplay of found objects, material and fabric, work is produced beyond preconception.
The transformations move towards the unknown and the work has a non-identity, fugitive quality. There is also a sense of the absurd in the work inspired by writers such as Samuel Beckett, Flann O’Brien and Luigi Pirandello. The found object suggests a narrative but it is also considered as a historical artefact suspended in the potential fluid movement of the fabric; an interesting tension which I plan to develop further.
maurice.citron@btinternet.com
www.mauricecitron.co.uk
Live/Work in London
Birth Date: 12th May 1972
Nationality: Irish
Education
College Byam Shaw School of Fine Art, University of the Arts, London
Course MA Fine Art: 2008/2009
College Byam Shaw School of Fine Art, University of the Arts, London
Course PG Dip Fine Art: 2007/2008. First Class Distinction
College Chelsea College of Art and Design, University of the Arts, London
Course BA (Hons) Fine Art: 2002/2007
In the studio, I get completely lost in the moment. I forget time, I forget myself. At hand is a plethora of materials including steel, wood, styrofoam, expanding foam, rubber, stones as well as a collection of different found objects including bicycle tyres, car parts, various bits from vacuum cleaners, spin dryers, chairs, wooden banisters and a range of stretchy fabrics, including different coloured spandex, powernetting and sheet latex.
I bring these different materials together, and through various processes, they are transformed. I try to develop processes that are unpredictable and not entirely controllable so that the outcome is a surprise. In this respect, the reading of the work is in its making and I’m fascinated by the apparent ability of materials and objects to retain a temporal quality of process. To some extent, through the making process, the work discovers itself.
My current studio focus is developing processes that will generate structure. I have been enveloping objects and different materials in stretchy fabrics. Through the interplay of found objects, material and fabric, work is produced beyond preconception.
The transformations move towards the unknown and the work has a non-identity, fugitive quality. There is also a sense of the absurd in the work inspired by writers such as Samuel Beckett, Flann O’Brien and Luigi Pirandello. The found object suggests a narrative but it is also considered as a historical artefact suspended in the potential fluid movement of the fabric; an interesting tension which I plan to develop further.
Simão Palmeirim Costa
Simão Palmeirim Costa
simaopalmeirim@gmail.com
1984, Lisbon Portugal
Currently lives and works in London
"I speak fluently and think wisely, though without idiom or train of thought. ideas and language tend to set the scene on where I play my games turned into visual propositions."
simaopalmeirim@gmail.com
1984, Lisbon Portugal
Currently lives and works in London
"I speak fluently and think wisely, though without idiom or train of thought. ideas and language tend to set the scene on where I play my games turned into visual propositions."
Heather McReynolds
Heather McReynolds
heathermcr@gmail.com
Currently lives and works in London
Home: Florence, Italy and Woods Hole, MA
I am interested in how the mind sees and how the hand paints, how images are selected from the surrounding world and from memories, and how these fragments coalesce and collide and form new “things”. Scrambled categories and shifting viewpoints suggest a different kind of visual attention, a wide-open field of awareness. Negotiating form through material requires that I follow the logic of the paint, sometimes battling with the materials before the elusive image emerges. I often use previous paintings as a starting point, over painting and revealing selective passages that in turn suggest a new structure. I cannot presume to know the form before making the painting but I can try to be on hand when the barriers lift.
heathermcr@gmail.com
Currently lives and works in London
Home: Florence, Italy and Woods Hole, MA
I am interested in how the mind sees and how the hand paints, how images are selected from the surrounding world and from memories, and how these fragments coalesce and collide and form new “things”. Scrambled categories and shifting viewpoints suggest a different kind of visual attention, a wide-open field of awareness. Negotiating form through material requires that I follow the logic of the paint, sometimes battling with the materials before the elusive image emerges. I often use previous paintings as a starting point, over painting and revealing selective passages that in turn suggest a new structure. I cannot presume to know the form before making the painting but I can try to be on hand when the barriers lift.
Beate Frommelt
Beate Frommelt
info@beatefrommelt.ch
Born in 1973 in Liechtenstein
Lives and works in London and Zurich
Her work has been shown at The Wellcome Collection, London, SPACE:Gallery, London, Goethe Institute, Washington DC and others
I am interested in the various states of consciousness between being awake, dreaming, sleeping and unconsciousness.
Drawing serves as a starting point of my work and research. I realised that within the medium of drawing I could find a lot of the issues I am dealing with.
The mental state when making drawings is most commonly one of total absorption, a withdrawing and removal of attention from anything other than the drawing; the sense of draw, meaning to extract. The world is reduced to a piece of paper and becomes a depository of thought.
Projection onto snow
Column, projection
False Eyes, ink on paper
info@beatefrommelt.ch
Born in 1973 in Liechtenstein
Lives and works in London and Zurich
Her work has been shown at The Wellcome Collection, London, SPACE:Gallery, London, Goethe Institute, Washington DC and others
I am interested in the various states of consciousness between being awake, dreaming, sleeping and unconsciousness.
Drawing serves as a starting point of my work and research. I realised that within the medium of drawing I could find a lot of the issues I am dealing with.
The mental state when making drawings is most commonly one of total absorption, a withdrawing and removal of attention from anything other than the drawing; the sense of draw, meaning to extract. The world is reduced to a piece of paper and becomes a depository of thought.
Projection onto snow
Column, projection
False Eyes, ink on paperNathan Eastwood
Nathan Eastwood
nathan.eastwood@hotmail.com
Live/Work in London
Born: Barrow-in-Furness, UK
2001 – 2005 BA (HONS) Fine Art Degree, 1st Class, University College for the Creative Arts at Canterbury. (Formerly known as KIAD)
The objective for the use of measurements as part of my aesthetic is to start thinking beyond the picture as an autonomous thing and to start thinking about the gallery as a whole.
My work uses the architecture of the gallery as the support, it is not about a critique of an architectural structure but an interest in the phenomenology of a person’s relational position to its space, art-objects presented and the interconnections between the art-objects, and their relationships to the viewer, and the gallery as a unit. The formula: painted object + measurements in pencil + white walls + active spectator + gallery = one unit, a single whole.
Board, paint on board, paint on wall, pencil on wall
nathan.eastwood@hotmail.com
Live/Work in London
Born: Barrow-in-Furness, UK
2001 – 2005 BA (HONS) Fine Art Degree, 1st Class, University College for the Creative Arts at Canterbury. (Formerly known as KIAD)
The objective for the use of measurements as part of my aesthetic is to start thinking beyond the picture as an autonomous thing and to start thinking about the gallery as a whole.
My work uses the architecture of the gallery as the support, it is not about a critique of an architectural structure but an interest in the phenomenology of a person’s relational position to its space, art-objects presented and the interconnections between the art-objects, and their relationships to the viewer, and the gallery as a unit. The formula: painted object + measurements in pencil + white walls + active spectator + gallery = one unit, a single whole.
Board, paint on board, paint on wall, pencil on wall
Brian Putnam
Brian Putnam
br.putnam@gmail.com
www.brianputnam.net
Currently lives and works in Edinburgh
BFA, School of the Museum of Fine Arts, Boston with Tufts University, 2007
My practice is directed by thinking. I try to think about my historical situation through the perspective and methods of a painter. Concerns about representation and translation are reflected in all of my projects.
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br.putnam@gmail.com
www.brianputnam.net
Currently lives and works in Edinburgh
BFA, School of the Museum of Fine Arts, Boston with Tufts University, 2007
My practice is directed by thinking. I try to think about my historical situation through the perspective and methods of a painter. Concerns about representation and translation are reflected in all of my projects.
.jpg)
Katerina Zafeiropoulou
Katerina Zafeiropoulou:
k_zafiropoulou@yahoo.gr
Currently lives and works in London
Born 1980, Athens, Greece
k_zafiropoulou@yahoo.gr
Currently lives and works in London
Born 1980, Athens, Greece
"Mapping the human skin", no.5, 152 x 122 cm oil on canvas 2009.
"Mapping the human skin", no.9, 152 x 122 cm oil on canvas 2009
"Mapping the human skin", no.8, 152 x 122 cm oil on canvas 2009
"Mapping the human skin", no.6, 152 x 122 cm oil on canvas 2009Anthony Lyttle
Anthony Lyttle
lyttleanthony@hotmail.com
lyttleanthony@hotmail.com
Currently lives and works in Ireland
Born 1960 Kisumu Kenya.
1980-84 National College of Art and Design, Dublin. BA Fine Art Painting.
2008-09 Byam Shaw at Central St Martins University of the Arts London. MFA
Group exhibitions include The Holy Show, Chester Beatty Library, Dublin. Estampe/Print, Galerie Michele Broutta. Paris. . Impressions, Art of the State, Dublin 2003, and Eigse Open in which he received the Re/Max Dolmen Award in 2004. Recent solo exhibitions include: Horizons, at Norman Gallery in 2007.
III.jpg)
drawing (bs) III
VII.jpg)
drawing (bs) VII
Luísa Jacinto
Luísa Jacinto
luisa.jacinto@gmail.com
Currently lives and works in London
Portugal, Lisbon, 1984
I am interested in consciousness, awareness, speechlessness.
I work mainly with Painting, Photography, Video.
Painting is figurative, colour is the corner stone to the atmosphere presented.
Photography is a medium that permits meaning and form to blend indivisibly.
Videos are made to be seen as a moving painting, a photograph sculpted.
Her work is now shown at the Jorge Shirley Gallery, Lisbon (www.jorgeshirley.com).
Documentary «Foule Immobile», collaboration with Merlin James and Mummery+Schnelle Gallery, London, 2009.
studio view
luisa.jacinto@gmail.com
Currently lives and works in London
Portugal, Lisbon, 1984
I am interested in consciousness, awareness, speechlessness.
I work mainly with Painting, Photography, Video.
Painting is figurative, colour is the corner stone to the atmosphere presented.
Photography is a medium that permits meaning and form to blend indivisibly.
Videos are made to be seen as a moving painting, a photograph sculpted.
Her work is now shown at the Jorge Shirley Gallery, Lisbon (www.jorgeshirley.com).
Documentary «Foule Immobile», collaboration with Merlin James and Mummery+Schnelle Gallery, London, 2009.
studio viewRodrigo Garcia Dutra
Rodrigo Garcia Dutra
rgdutrasp@gmail.com
rodrigogarciadutra.blogspot.com
www.rodrigogarciadutra.com
Born in 1981, Rio de Janeiro, Brazil.
Lives and works between São Paulo and London.
His current practice involves the series of video projection
interfaces called by the artist "Projectables".
Working through the medium of video and visual performances in
collaboration with other artists he has shown his work at the
Whitechapel Gallery, South London Gallery, The Museum of Modern Art of
New York, São Paulo Biennial, MOT Tokyo amongst others.
rgdutrasp@gmail.com
rodrigogarciadutra.blogspot.com
www.rodrigogarciadutra.com
Born in 1981, Rio de Janeiro, Brazil.
Lives and works between São Paulo and London.
His current practice involves the series of video projection
interfaces called by the artist "Projectables".
Working through the medium of video and visual performances in
collaboration with other artists he has shown his work at the
Whitechapel Gallery, South London Gallery, The Museum of Modern Art of
New York, São Paulo Biennial, MOT Tokyo amongst others.
OH AND!!!!!.....
There's more info to come.
We're preparing more detailed images of work and some statements and artist info!!!
SO check back soon!
We're preparing more detailed images of work and some statements and artist info!!!
SO check back soon!
Take A Look
Now, here we go.
There's some work coming along since our interim!
We needed a bit of a break before we could come out again, just to have time to create some work for you to see.
So here we go, take a look and see what you think.
Enjoy!
Yours,
The Byam Shaw MA 2009
There's some work coming along since our interim!
We needed a bit of a break before we could come out again, just to have time to create some work for you to see.
So here we go, take a look and see what you think.
Enjoy!
Yours,
The Byam Shaw MA 2009
There's Work In Progress - 01.06.09
Simão Palmeirim
George Hathway
Frauke Materlik
Some of our way up and down to studios
Maurice Citron
Anthony Lyttle
Heather McReynolds
Maurice Citron
Luisa Jacinto
some BA student taking over the yard with a truck
Katerina Zafeiropoulou
Rodrigo Garcia Durtra
Brian Putnam
Douglas Ebbage
Beate Frommelt
Liam Ryan
Katerina Zafeiropoulou
Mathilde Jensen
Catrine Bodum
Nathan Eastwood
George Hathway
Frauke Materlik
Some of our way up and down to studios
Maurice Citron
Anthony Lyttle
Heather McReynolds
Maurice Citron
Luisa Jacinto
some BA student taking over the yard with a truck
Katerina Zafeiropoulou
Rodrigo Garcia Durtra
Brian Putnam
Douglas Ebbage
Beate Frommelt
Liam Ryan
Katerina Zafeiropoulou
Mathilde Jensen
Catrine Bodum
Nathan Eastwood
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